A House for Sale Millie Jackson

By Lume Girl on Wednesday, 13 February 2019 03:16:40 Category House For Sale

A House for Sale Millie Jackson

A House for Sale Millie Jackson - In 1949, a man by the name of Ahmet Ertegun, who was in charge of signing talent to Atlantic recordings, heard a track on a jukebox in a dive bar someplace in New York City, known as child let me hold your hand". Ertegun flipped out at the sound of the man making a song this incredible track, barely believing what his ears were listening to: the sound of one of the best soul singers in an extremely early recording of a track that no one believed in except for Ahmet Ertegun. The name of the singer from that ambitious music was Ray Charles, and Ertegun had to sign Charles to a five-year agreement and misplaced numerous lots of of heaps of dollars and incur the wrath of his co-owners of Atlantic data at the time, because the record never took off. He caught by his man, although, and a few years later, after much blood sweat and tears from the constant and relentless work ethic of Ertegun to push Charles' opinions, Ray Charles went on to sell hundreds of thousands of destiny statistics for Atlantic, making the record label into a very ecocnomic venture for all the householders, adding Ahmet Ertegun. That same situation will never occur again.
because the huge success of Michael Jackson's mystery album, the record business has at all times been looking for that subsequent big brief "hit". delusion went on to turn out to be the largest promoting album of all time, with over forty five million statistics bought world wide, however that success could not be duplicated right through the following years, much to the chagrin of the record business. The business turned virtually like a junkie looking for it's subsequent heroin fix, a billion greenback monster all the time wanting to fill it's massive coffers with more money so it could go on and spend more on convey for acts like "Milli Vanilli" and other non-musical advertisement acts. The record trade grew to become the past money-hungry grasping business that it's been known perpetually because. All of the major record labels, adding Atlantic statistics, took the new corporate mentality of having a musical act they signed both being a huge hit-maker from day one, or dropping them off their label like a hot potato.
No longer would a label nurture an artist like Columbia data and A&R man John Hammond, in particular, did for a young Bruce Springsteen, who had to construct his profession slowly by putting out albums like "Greetings from Asbury Park" and "The Wild, the blameless and the E-Street Shuffle" which had dismal record opinions in 1972 and 1973. It would take very nearly ten years to get the huge hit that was "Born in the USA" on top of the charts, and Columbia was prepared to sweat it out till that happened.
however today Bruce Springsteen, and basic rock bands like the "Eagles", would have to sell an initial 500,000 copies or more of their debut cd's, or they would get dropped from their contracts without due notice. That is the major tragedy with the record business today. That is the main reason why you normally see the same record manufacturers get concerned in making more moderen artists like Fergie and Gwen Stefani sound very nearly identical to each other. If Timbaland does a great job generating mega hits for Fergie, then it stands to reason he will do the same for Stefani or Christina Aguilera, in essence giving them the actual same sound that he did for Fergie.





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